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101 Dalmatians: The Series :: Shake, Rattle And Woof / Cadpig Behind Bars (02x03)
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Episode Information |
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| Title: | Shake, Rattle And Woof / Cadpig Behind Bars |
| Episode #: | 02x03 |
| Original Airdate: | Wednesday September 03rd, 1997 |
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Episode Summary |
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Shake, Rattle And Woof: Roger has recently been training his Dalmatians to sing, though when Cruella De Vil catches wind of this, she decides to create a television program for them. Roger eagerly signs them up, but when it turns out that Cruella’s show is nothing more than a ploy to force the Dearlys to sell their farm, the Dearly Dalmatians must find a way to turn the tables on her.
Cadpig Behind Bars: When Cadpig finds herself locked in the pound when she chases after a dog catcher’s truck, Lucky, Rolly and Lieutenant Pug must find a way to break her out of the big house. However, Cadpig soon finds pound life to be invigorating and she decides to do what she can to help out her fellow inmates, regardless of if they want her help or not.
| | There are no foreign summaries for this episode: Contribute | | English Recap Available: View Here |
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Guest Stars |
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| Uncredited | | •Don Knotts | voiced | Dog Catcher | Recurring (first appearance) |
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Episode Notes |
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In the episode ‘Shake, Rattle And Woof’, the names Cruella calls Lucky, Rolly, Cadpig and Spot are Ucky, Roy, A Pig and Spit, respectively.
| In the episode ‘Cadpig Behind Bars’, in the scene where Cadpig is singing Kumbaya with the other dogs in the pound, two of the dogs seen are Mooch and Colonel. However, this was done in order to save production costs, as they chose to recycle some characters in order to fill up the scene, rather than animate two entire new characters just to be used for that purpose.
| In the episode ‘Shake, Rattle And Woof’, Princess’ voice is completely different than what it is throughout the rest of the episodes of the series.
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Episode Quotes |
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Anita: (referring to Cruella’s offer) What an opportunity!
Roger: (to Cruella) And what’s in it for you, Cruella?
Cruella: Oh, not for me! For the children of the world! It’s reward enough knowing I brought a happy smile to just one snotty little child’s face.
Roger: How do I know you’re not making the same old empty promises?
Cruella: Oh, don’t be ridiculous! These are brand new empty promises!
| Cruella: (handing Roger a contract) Here, sign this.
Roger: What are you up to now, Cruella?
Cruella: (referring to the animals) Well, I’m here to take these four virtuosos to the super-stardom they deserve!
Lucky: Wow! Did she say stardom?
Rolly: We’re gonna be stars!
Spot: Guys! Guys! This is Cruella! The same woman who tried to turn you into fuzzy evening wear!
Cruella: (to Roger) Sign this contract and your musical little friends will rule the charts!
Cadpig: Geeze, stardom! I could become the spokesperson for world peace; or a major soft drink, they pay better.
Rolly: Yeah, and I could get a kibble endorsement deal with unlimited free samples! Oh yeah!
Spot: And I could get a sandwich named after me! Ah, just think: Chicken Sandwich!
| (Cruella has just heard the Dearly Dalmatians and Spot barking to a tune)
Cruella: Oh, there goes that crazy Randy again, recording those noise polluting pups.
Horace: Maybe not so crazy. Last year, three cats recorded an album of Christmas carols.
Jasper: That’s right, they became instant stars.
Cruella: Stars? I’ve just had a brilliant idea to get the Dearly Farm!
| (Mayor Ed Pig and Dumpling are wearing wild west outfits)
Mayor Ed Pig: This here’s all your fault pups! That contract Roger signed says that all us animals have to be in your stupid show!
Dumpling: Daddy! This cowgirl look just isn’t me! It makes my hips look big!
Mayor Ed Pig: You look fine, darlin’.
(Mayor Ed Pig and Dumpling walk away. Lucky, Rolly, Cadpig and Spot start to laugh)
Lucky: You’ll never catch me in such a stupid get up! (The scene changes to show Lucky in an Elvis costume) Why do I say things like that?!
| (Upon discovering Cruella’s trickery in designing her contract)
Lucky: She bamboozled us!
Cadpig: Well, that just means we can’t quit, or Roger and Anita lose the farm!
| Cruella: Listen, you blithering clods! Implement all phases of my plan and the exact times I’ve written down here. Follow the schedule no matter what! We’ll make those furry runts so miserable, they’ll be happy to quit!
Horace: You can count on us, Miss De Vil, sir.
| Horace: Follow the schedule no matter what. Follow the schedule no matter what. Follow the schedule no matter what.
Jasper: Time for phase one.
Horace: Is phase one the first thing?
Jasper: (hitting Horace on the nose) Yes, Horace, it is!
| Jasper: Time for phase two.
Horace: Now, is phase two the second thing?
Jasper: This is hard for you, isn’t it?
Horace: A little.
(Jasper hits Horace on the nose with a rolled up paper)
| Jasper: Phase three.
Horace: Now, is phase three the first thing?
Jasper: Now, how could it be the first thing?!
Horace: Hmm, that’s a toughie!
| Lieutenant Pug: (to Lucky, Rolly and Cadpig) You call yourselves a Bark Brigade? You’re nothing but a canine coffee clatch, and you’ve been eating all the coffee cake; you’re soft! Well, I’m here to make you tough! Make you mean! Make your lips suck chrome! Today, you chasin’ cars.
Lucky & Rolly: Alright!
Cadpig: You know, Lieutenant, instead of taking us on your usual machismo tour, why don’t we cadets do something enlightening? Like explore our feminine side?
Lieutenant Pug: Feminine side my grandma! I don’t have a feminine side.
Cadpig: Sure you do, it’s in there somewhere: the sensitive, nurturing, patient part in all of us. (a truck drives by, splashing her with mud) Hold that thought. (Cadpig starts to chase after the truck) You mud slinging bag of slime!
(Cadpig catches up to the truck and bites onto its bumper)
Lieutenant Pug: Whoa, she’s good! Maybe we should get in touch with our feminine sides.
(The driver gets out of the truck; he tosses Cadpig in the back of the truck, as he’s the dog catcher)
Lucky: The dog catcher! We got to help her!
Lieutenant Pug: Get your feminine butts in gear, cadets! Charge! Charge!
| (Cadpig is walking down a corridor inside of the pound, heading to her cell)
Dog #1: Hey, baby, welcome to the pound.
Dog #2: Oh, we got us a new pup!
Dog #3: What’s your name, spotty girl? Who’s your daddy?
Cadpig: What a welcome wagon; I feel so accepted.
| Cadpig: Hi, I’m Cadpig, your new roomy, and you are?
Bon-Bon: Sick of you already.
Cadpig: Well, we’re a little hardened, aren’t we? I’ll just call you Sassy.
Bon-Bon: If you want to bark another day, you’ll call me Bon-Bon
Cadpig: That’s a pretty name. Bon-Bon, a hard candy coating with a soft, vulnerable center. (Cadpig starts to look around the cell) Oh, Bon, I love what you’ve done with the place, but can I make a teeny-weeny suggestion? Some fresh potpourri, throw pillows and new paint could really perk up the atmosphere!
Bon-Bon: Mind if I make a suggestion? Shut up! And keep off the top bunk, it’s mine!
Cadpig: Works for me! Actually, I prefer the bottom bunk.
Bon-Bon: In that case, the bottom bunk’s mine!
Cadpig: Whatever tugs your leash! There’s probably a better view from the top bunk anyway!
Bon-Bon: (choking Cadpig) They’re both mine!
Cadpig: (struggling to talk) So, what’cha in for? Control issues?
| Bon-Bon: This is it, Buttons! I’m planning a break out; I’m breaking her out!
(Bon-Bon points to Cadpig, who is trying to cheer up a dog in a straitjacket)
Cadpig: If you’re happy and you know it, clap your hands! Are you clapping in there?
(The dog in the straitjacket moans; its eyes become bloodshot)
Bon-Bon: She’s driving me nuts! If I have to assume to lotus position one more time, I’m chewing off one of my legs.
Buttons: If I’m breaking anybody out, it’s gonna be me!
Cadpig: Nuh-uh, don’t break out! Look inward! Find the inner-puppy, pull him out and give him a hug! Oh, let’s hold paws in a circle and talk about what makes us happy!
| Cadpig: I am so glad that I got through to my new friends back at the pound, and I’m glad my best friends came through for me.
Lucky & Rolly: Uh huh.
Cadpig: Oh, it would be a much better world if we all came through for each other.
Lieutenant Pug: Where’s a blackout when you need one? (the screen fades to black) That’s better.
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Cultural References |
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Episode Title: Shake, Rattle And Woof
This is a reference to the 1956 song entitled Shake, Rattle and Roll, which was written by Jesse Stone and performed by Big Joe Turner; though Bill Haley and The Comets also released the song a year later, albeit with the lyrics cleaned up to make them more appropriate.
| Visual: A dog in the pound is wearing a bite-prevention mask and a straightjacket.
This is a reference to the 1991 movie entitled The Silence of the Lambs, which stared Jodie Foster and Anthony Hopkins. It was directed by Jonathan Demme and its plot focused on an FBI agent who was trying to solve a crime, though she frequently consulted with a cannibal in prison, in which he was often forced to wear a mask due to his prior actions. The reference is made in the episode ‘Cadpig Behind Bars’, in which his attire of one of the caged dogs is highly reminiscent to what the cannibal in the said film had to wear.
| Spot: This is Cruella, the same woman who tried to turn you into fuzzy evening wear!
This is a reference to the 1956 novel entitled The Hundred and One Dalmatians, as well as the subsequent movies that were based off of the novel. 101 Dalmatians: The Series was based off of the same works, in which Cruella De Vil once tried to kidnap the Dalmatians so that she could slaughter them and use their fur in her fashion designs. The reference is made in the episode ‘Shake, Rattle And Woof, when Cruella attempts to get Roger to permit her to make the Dalmatians into musical stars.
| Sound: The Dalmatians are heard barking in a specific fashion so that it sounds like a classical tune.
This is a reference to the 1867 waltz entitled The Blue Danube, which was composed by Johann Strauss the Younger; though the waltz became popular in recent years due to its commonplace appearance in various forms of media. The reference is made in the episode ‘Shake, Rattle And Woof, in which the tune that the Dalmatians are barking to in the beginning of the episode is highly reminiscent of the Blue Danube.
| Visual: Lucky’s costume.
This is a reference to Elvis Presley, the American singer who debuted his musical career in 1953. He went on to become one of the most famous musicians in the 20th century and his legacy is well known to this day, which is one of the reasons he has been referred to in media as often as he has. The reference is made in the episode ‘Shake, Rattle And Woof’, in which Cruella attempted to give all the Dalmatians poorly designed costumes in order to break their spirits.
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Featured Songs |
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Episode Goofs |
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Episode References |
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Analysis |
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